Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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WEYDEN, Goossen van der
Virgin with the Blessing Child

ID: 62435

WEYDEN, Goossen van der Virgin with the Blessing Child
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WEYDEN, Goossen van der Virgin with the Blessing Child


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WEYDEN, Goossen van der

Flemish painter (b. ca. 1465, Bruxelles, d. after 1538, Antwerpen)  Related Paintings of WEYDEN, Goossen van der :. | Maja and Celestina on a Balcony | Before the Inn fy | The Berlin-Potsdam Railway | The Last Judgment | The Lying in State of St.Bonaventura |
Related Artists:
Andre Gill
1840-1885,was a French caricaturist. Born Louis-Alexandre Gosset de Guines at Paris, the son of the Comte de Guines and Sylvie-Adeline Gosset, he studied at this city's Academy of Fine Arts. He adopted the pseudonym Andre Gill in homage to his hero, James Gillray. Gill began illustrating for Le Journal Amusant. Gill, however, became known for his work for the weekly four-sheet newspaper La Lune, edited by Francis Polo, in which he drew portraits for a series entitled The Man of the Day. He worked for La Lune from 1865 to 1868. When La Lune was banned, he worked for the periodical L'Eclipse from 1868 to 1876.
Vincenzo Chialli
was born at Citte di Castello in 1787. After having learned the rudiments of art in that town, he visited Rome at the age of seventeen years, and became a disciple of Camuccini, whom he afterwards imitated. After leaving Rome he painted religious subjects at Borgo San Sepolcro, Urbino, Pesaro, and Venice, from whence he retraced his steps to Rome; but as the climate did not suit him, he left that city in 1822 and returned to Citta di Castello. He became Director of the School of Painting at Cortona in 1835, and died in 1840.
Albert Goodwin,RWS
1845-1932 English painter. During the early 1860s Goodwin studied with Arthur Hughes and Ford Madox Brown, who predicted that his pupil would become 'one of the greatest landscape painters of the age'. Hughes and Brown impressed on Goodwin the Pre-Raphaelite principles of high finish, vivid colour and working directly from nature that inform his early landscape style






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